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    CHRIS SMITHER – Call Me Lucky

    CHRIS SMITHER – Call Me Lucky

    CHRIS SMITHER – Call Me Lucky / Signature Sounds, Mighty Albert, 2018 / 2xCD / singer-songwriter / USA

    William Christopher Smither (born November 11, 1944) is an American folk/blues singer, guitarist, songwriter and performer. His music draws deeply from the blues, American folk music. Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard“, Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world“. With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ ‘Blues In My Bottle’ album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard“.

    In his early twenties, Smither turned his back on his anthropology studies and headed to Boston at the urging of legendary folk singer Eric von Schmidt. It was the mid-’60s and acoustic music thrived in the streets and coffeehouses there. Smither forged lifelong friendships with many musicians, including Bonnie Raitt who went on to record his songs, “Love You Like A Man“, and “I Feel the Same“. (Their friendship has endured as their career paths intertwined over the years.) What quickly evolved from his New Orleans and Cambridge musical experiences is his enduring, singular guitar sound – a beat-driven finger-picking, strongly influenced by the playing of Mississippi John Hurt and Lightnin’ Hopkins, layered over the ever-present backbeat of his rhythmic, tapping feet (always mic’d in performance).

    Smither’s first albums, “I’m A Stranger, Too!” (1971) and “Don’t It Drag On” (1972) were released on Poppy Records, home of kindred spirit Townes Van Zandt. By the time Smither recorded his third album, “Honeysuckle Dog” with Lowell George and Dr. John helping out, United Artists had absorbed Poppy and ultimately dropped much of their roster, including Smither. Smither made his next record in 1985, when the spare “It Ain’t Easy” on Adelphi Records marked his return to the studio.

    By the early ’90s, Smither’s steady nationwide touring and regular release of consistently acclaimed albums cemented his reputation as one of the finest acoustic musicians in the country. His 1991 album, “Another Way to Find You“, was recorded live in front of an in-studio audience with no overdubs or second takes. This would be the first of two albums with Flying Fish Records. His next recording, “Happier Blue“, was embraced by Triple A radio and received the NAIRD (now AFIM) award as Best Folk Recording of 1993. “Up On The Lowdown” (1995) marked the first of a trio of albums to be recorded with producer Stephen Bruton at The Hit Shack in Austin and his first of five albums with roots label HighTone Records. “Up On the Lowdown” rode the crest of the newly formed Americana radio format wave and sparked considerable interest abroad. A tour of Australia with Dave Alvin and extensive solo touring in Europe led to an expanding global interest in Smither. His song, “I Am the Ride“, from this album, inspired the independent film, “The Ride“, for which Smither also composed the original score.

    In early 1997 Smither released “Small Revelations“. It climbed the Americana and Triple A radio charts and led to concert dates with B.B. King, Bonnie Raitt, Nanci Griffith, and the hugely successful, original Monsters of Folk’ tour with Ramblin’ Jack Elliott, Dave Alvin and Tom Russell. “Small Revelations” also generated several film projects for Smither. Emmylou Harris recorded his song, “Slow Surprise“, for the The Horse Whisperer soundtrack on MCA. And his recording of “Hold On” was used in the indie feature film “Love From Ground Zero“. Smither also shared insight into his guitar style and technique on two instructional DVDs, available from Homespun Video.

    His CD, “Drive You Home Again” (1999), garnered four-stars from Rolling Stone. And with it, Smither continued to tour world-wide. Shortly after, in 2000, Smither released his one-man-tour-de-force, “Live As I’ll Ever Be“. Recorded in-concert at various clubs and concert halls in California, Dublin, Galway, Boston, and Washington DC, it has proven to be a fan favorite, capturing Smither at what he loves to do: performing in front of an audience.

    Train Home” (2003) was Smither’s last record for HighTone and his first with producer David Goodrich. Over a six-week period, basic tracks for “Train Home” were recorded in the relaxed environment of Smither’s home near Boston. Working with new session musicians, the record is simultaneously sparse and assured. Bonnie Raitt graciously provided backing vocals and slide guitar on Smither’s cover of Bob Dylan’sDesolation Row“. And Smither’sSeems So Real” from the CD earned a Folk Alliance Award as Song of the Year.

    In 2005, jazz great Diana Krall covered “Love Me Like A Man“, introducing what is now a blues standard to a whole world of jazz fans. Shortly after, Smither’s song “Slow Surprise” was included in the independent film, “Brother’s Shadow“. In addition, Smither narrated a two-CD audio book recording of “Will Rogers’ Greatest Hits“. Continuing to expand his creative horizon, Smither was invited to contribute an essay to “Sixty Things to Do When You Turn Sixty“, a 2006 collection of essays by American luminaries on reaching that milestone. In 2009, Melville House published “Amplified“, a book featuring 16 short stories by notable American performing songwriters. Smither’s story Leroy Purcell about a touring musician’s encounter with a Texas State Patrolman leads off the collection.

    With the release of his 12th recording, “Leave The Light On” (2006), on his own imprint, Mighty Albert, Smither began a new label relationship with the renowned acoustic and modern folk label, Signature Sounds. For the recording, Smither reunited with producer David Goodrich and session musicians Mike Piehl, Lou Ulrich and Anita Suhanin. As an added treat, Smither invited good friend and Grammy Award-winning multi-instrumentalist, Tim O’Brien, along with rising American roots stars, Ollabelle, to add their distinctive talents on several tracks. Smither followed this with “Time Stands Still” (2009), his most stripped down recording in some time, working with just two accompanists after the same trio had played a rare band performance – a non-solo setup required in order to play a Netherlands festival.

    About the recording Smither says, “We’re the only three guys on this record, and most of the songs only have three parts going on. We had a freewheeling feeling at that festival gig, and we managed to make a lot of that same feeling happen in this record“. In 2011 Smither put out two fan projects: a collection of live tracks from newly discovered concert recordings from the 1980s-1990s titled “Lost and Found” and the rollicking EP, “What I Learned in School“, on which Smither covered six classic rock and roll songs.

    Smither followed these fan-projects with “Hundred Dollar Valentine” (2012), a “?????” (MOJO) studio record of all Smither-penned songs. With longtime producer David Goody Goodrich at the helm, this collection sported Smither’s trademark acoustic guitar sound and evocative sonic textures meshed with spare, brilliant songs, delivered in a bone-wise, hard-won voice.

    In 2014 Smither released “Still on the Levee” (2014) – a double-CD retrospective. Recorded in New Orleans at the Music Shed, this career-spanning project features fresh new takes on 24 iconic songs from his vast career and some very special guests including the legendary Allen Toussaint and Loudon Wainwright III.

    The coffee table – style book “Chris Smither Lyrics 1966-2012” and Signature Sounds’Link of Chain” – an all-star tribute record including a stellar list of artists offering their takes on some Smither favorites including Josh Ritter, Bonnie Raitt, Loudon Wainwright III, Dave Alvin, Peter Case, Tim O’Brien, Patty Larkin, and many others were fan-favorite accompaniments to the retrospective CD .

    In March 2018, Smither released his eighteenth record, “Call Me Lucky” (Signature Sounds/Mighty Albert) once again teaming up with producer and multi-instrumentalist David Goodrich. Also joined by Billy Conway (Morphine) and Matt Lorenz (The Suitcase Junket), Smither recorded eight new originals along with some very special and surprising covers at the Blue Rock studios in the Texas hills in June 2017. The new records continues what As Acoustic Guitar magazine wrote that, Smither sings about “the big things – life, love, loss – in a penetrating and poetic yet unpretentious way”.
    (Biography taken from Chris Smith’s official web site – https://smither.com/press-kit/biography/)

    DiscographyI’m a Stranger Too! (Poppy Records, 1970) ; Don’t It Drag On (Poppy Records, 1971) ; Honeysuckle Dog (1973) ; It Ain’t Easy (Adelphi Records, 1984) ; Another Way to Find You (Flying Fish Records, 1991) ; Happier Blue (1993) ; Up on the Lowdown (1995) ; Small Revelations (1997) ; Drive You Home Again (1999) ; Live as I’ll Ever Be (2000) ; Train Home (HighTone, 2003) ; Honeysuckle Dog (recorded in 1973, released in 2005) ; Leave The Light On (Self-released, Sep 2006) ; Time Stands Still (Signature Sounds, Sep 2009) ; Time Stands Still with Bonus DVD (Signature Sounds, 2009) ; Lost and Found – Live (2011) ; What I Learned In School (EP, Nov 2011) ; Hundred Dollar Valentine (Jun 2012) ; Still On The Levee (2xCD, Music Shed, Jul 2014) ; Call Me Lucky (2xCD, Signature Sounds, Mighty Albert, Mar 2018)

    Live recordings and compilation albumsBlues Live From Mountain Stage (“The Devil’s Real“, 1995) ; Avalon Blues: A Tribute to the Music of Mississippi John Hurt (“Frankie and Albert“, 2001) ; Live At McCabe’s Guitar Shop (2004) ; Raise the Roof – A Retrospective (“Winsome Smile“, 2004) ; Various – 89.3 The Current by Minnesota Public Radio (“Train Home“, 2005) ; A Case for Case: A Tribute to the Songs of Peter Case (“Cold Trail Blues“, 2006) ; Tales from the Tavern, Vol.1 (“Train Home“, 2006) ; True Folk (plays “Step It Up and Go” with Jorma Kaukonen, 2006)…

    I did have another plan (what to do this morning) but my dear friend, Nikola Nešković, singer-songwriter from Novi Sad, brought to my attention one great musician, Chris Smither. Listening to the songs from his current (eighteenth) album, “Call Me Lucky“, I couldn’t resist to present him / his music to the other (english talking) Barikada – World of Music visitors. Here it is.

    Chris Smither is, not enough to say, well known and legendary American singer-songwriter with very reach and valuable discograhy. With “Call Me Lucky“, he is continuing with completing of his remarkable career with one new product proving again that he is still able to be the great, among the greatest.

    ‘Call Me Lucky’, features longtime producer and multi instrumentalist, David Goodrich, Billy Conway (drummer, Morphine), Matt Lorenz (aka The Suitcase Junket), Mike Meadows and Keith Gary (engineer). They went into the session to record ten songs. What they ended up with is a double record: Disc 1 features the eight originals and two covers they started with Disc 2 catapults some of the very same songs into another dimension. Essentially Smither covering Smither. Smither recorded eight new originals along with some very special and surprising covers at the Blue Rock studios in the Texas hills in June 2017“.

    No doubt that Chris Smither is able to compose great songs, but he do not hesitate to play / record cover if he is finding it suitable for his interpretation. So, “Call Me Lucky“, has several such songs – “Sittin’ On Top Of The World” (Doc Watson) ; “She Said She Said” (The Beatles) ; Maybellene (Chuck Berry)… All these covers Smither is bringing on his own way. The songs are almost not to be recognized (comparing to its original recordings), but still nice and seen from the different perspective. Such ability marks only great musicians.

    I will be very happy if this short review brings this great man to the attention of some of you reading this. I hope you will enjoy like I did and you will be trapped with his music like I was.

    Chris Smither – “Call Me Lucky” –
    CD 1– 1. The Blame’s On Me ; 2. Maybellene ; 3. Down To The Sound ; 4. Nobody Home ; 5. By The Numbers ; 6. Change Your Mind ; 7. Eveything On Top ; 8. Sittin’ On Top Of The World ; 9. Too Bad So Sad ; 10. Lower The Humble
    CD 2 – 11. She Said She Said ; 12. Everything On Top ; 13. Down To The Sound ; 14. Nobody Home ; 15. Change Your Mind ; 16. By The Numbers

    https://chrissmither.bandcamp.com/album/call-me-lucky / https://smither.com / https://www.facebook.com/ChrisSmitherMusichttps://www.facebook.com/SignatureSoundsRecordings

    Winged Wheels – Krilati kotači

    YT – Chris Smither – Blame’s On Me (in Concert at Blue Rock)

    YT – Chris Smither – Change Your Mind (solo)

    Dragutin Matošević
    Tuzla, Bosna i Hercegovina